![]() However in a few areas, she finds herself lacking, and that brings me to the bad stuff.Ĭharacterisation is an important facet of any book, and if you don’t have a consistent character, you’re severely undermining your work. She has the ability to write really well, the depth of detail and ability to not overwhelm the reader with that same depth of detail is a fine art that I think Goodman has mastered, and her imagination is quite catching. ![]() Eona left me unsatisfied and frustrated, something that a book should never do, in my humble opinion.īefore picking apart the bad stuff, I want to just say that Alison Goodman obviously as a career ahead of her. That’s a question I was asking myself a lot while reading Eona, and one I still can’t answer for you. If you’ve got a winning strategy in your first book, why go and undo it in the second? You have to wonder how someone can stuff up a sequel. Instead of anything cataclysmic happening in my life to make up for the supremely well written books I was reading, life just sent me a sour lemon of a book instead. One of those books included Eon by Alison Goodman, and so it was natural that Eona would be on that same pile of books for me to read and enjoy. ![]() I have recently had an uncanny good run of books to read and review. ![]()
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